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This paper will investigate three images which reflect colonial and post-colonial attitudes: Women of Algiers in Their Apartment by Eugene Delacroix, 1834; Harem Fantasy by Antoin Sevruguin, ca 1900; and Afghan Girl by Steve McCurry, 1985. These representations of the non-Western Other exhibit strong similarities despite the spans of time between them. The link that an artistic representation claims to reality makes it much easier for viewers to overlook their complicity in visual (as preceded by cultural, economic, military, etc) conquest and confinement. However, upon further examination, these images can complicate preexisting relationships, despite the West's continued prescription to the maintenance of the given hierarchy.


English: Literature and Writing