Title

Contemporary Cinema: A Critique of Three Representative Works

Publication Year

1965

Keywords

cinema, contemporary, literary criticism, film critique, art, directing

Disciplines

Dramatic Literature, Criticism and Theory | Film and Media Studies | Performance Studies | Visual Studies

Abstract

In recent years the cinematic mode of expression has experienced a change in masters. Previously the primary purpose of movies was to entertain on a very non-intellectual level. The master of the cinema was the public. However, the more recent films have found a new master--the director who has attempted to make the film a means of artistic communication.

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